Steve Davis
Jazz Artist

Born in Worcester, MA in 1967, Davis was raised in Binghamton, NY and graduated in 1989 from  Hartt School’s Jackie McLean Institute. It was with McLean’s guidance and recommendation that Davis landed his first major performance with Art Blakey in NYC. In 98’ Steve winning the TDWR (Rising Star) Trombone Category and later named consecutively as Trombonist of the Year by The JJA – (2010-2013). Widely regarded as one of today’s leading voices on the trombone. His lyrical, hard-swinging style first gained him broad recognition. Steve has released 20 albums including: Think Ahead (2017), Say When (2015), For Real & Gettin’ It Done (2014) featuring his longtime musical colleagues Larry Willis and Nat Reeves along with drummer Billy Williams, saxophonists Abraham Burton (For Real), Mike DiRubbo and trumpeter Josh Bruneau (Gettin’ It Done), in addition to over 100 recordings with names including: Chick Corea, Freddie Hubbard, Horace Silver, Cedar Walton, Hank Jones. In 2018 his original composition “Optimism” was included in Christian McBride’s Grammy Award winning album “Bringin’ it”. Steve Davis’ latest release with his sextet “Correlations” (label: Smoke Sessions Records) Steve features Joshua Bruneau, trumpet; Wayne Escoffery, tenor saxophone; Xavier Davis, piano; Dexron Dougles, bass; Johnathan Barber, drums; Caro Baptista, percussion on “Batista Revenge”.

He leads his groups All-Star quartet Larry Willis (Alone Together/Mapleshade 2006) and his exciting, Outlook Quintet featuring rising stars Mike DiRubbo (alto sax), David Bryant (piano), Dezron Douglas (bass) and Eric McPherson (drums) regularly performing at Smoke and Smalls Jazz Club (NYC); The Greater Hartford Jazz Festival, Baltimore’s Eubie Blake Center, The Richmond Jazz Society, Hartford Jazz Society.

Steve performs internationally with Dizzy Gillespie’s All-Stars, Jimmy Heath, Ron Carter. Chick Corea & My Spanish Heart Band, Origin, he has appeared at The Jimmy Fallon with Steve Wonder, at the White House Tribute to Ray Charles (PBS) and records with the collective unit One For All (Eric Alexander, Jim Rotondi, David Hazeltine, John Webber and Joe Farnsworth), Larry Willis, Harold Malberen.Widely regarded as one of today’s leading voices on the trombone. His lyrical, hard-swinging style first gained him broad recognition.

Abbie Conant
Professor - University of Music Trossingen - Germany

Award-winning Performance artist and Juilliard trained trombonist Abbie Conant is somewhat of a legend in the international orchestral brass world. The story of her epic fight and ultimate victory against egregious gender discrimination in the Munich Philharmonic Orchestra where she won the position for principal trombone at a screened audition in1980, inspired author Malcolm Gladwell to write the NY Times Bestseller, Blink where Ms. Conant’s story is detailed in the last chapter. The 11-year-long court battle was documented by composer/musicologist/activist, William Osborne in an article entitled, You Sound Like a Ladies Orchestra. The document is supported by actual court records and experiences in the orchestra with 89 footnotes. This source document has generated countless newspaper and magazine article  (Der Spiegel, {the German analog to Time Magazine}, The Washington Post, The Wall Street Journal, St. Louis Post-Dispatch, etc.) as well as a documentary film, (Abbie Conant, Alone Among Men by Brenda Parkerson), a play produced at the Landestheater Linz, Austria by Award-winning British playwright, Tamssin Oglesby called, Der (eingebildeter) Frauenfeind, (The [Concieted] Misogynist) and a screen play for a feature film in the works by Canadian writer/producer Dale Wolf.  

After winning her lengthy court case, Ms. Conant won a full-tenured Professorship at the University of Music in Trossingen, Germany and left the orchestra in 1993. Abbie Conant has performed instrumental music theater works with surround sound electronics in over 150 different cities around the world. She has given masterclasses in as many esteemed music institution such as The Juilliard School, The Eastman School, New England Conservatory, Yale School of Music, Indiana University, Royal Northern College of Music, the Academy of Music and Drama in Gothenburg, Sweden, DePaul, CalArts, McGill, Oberlin and many others. In collaboration with composer/husband William Osborne, the pair has created a new genre of chamber music theater. They have produced five evening-length chamber operas for singing/acting trombonist.   
While attending National Music Camp at Interlochen, Michigan in 1970, she won a scholarship to the famed Interlochen Arts Academy. She received her B.M. cum laude at Temple University with Dee Stewart of the Philadelphia Orchestra, then her M.M. at Juilliard with Metropolitan Orchestra Principal, Per Brevig. In addition, she holds an Artist Diploma from the Cologne University of Music with Branimir Slokar. At the suggestion of her teacher Dr. Karl Hinterbichler, she attend Tanglewood through the Boston University Tanglewood Institute (where she studied with bass trombonist of the BSO, Gordon Hallberg). She won the audition for the Colorado Philharmonic (an intensive training orchestra), Yale Summer Chamber Music Institute at Norfolk where she studied with John Swallow, and New College Music Festival as Brass Trio in Residence. The Spoleto Festival dei due Mondi took her to Italy where she studied contemporary music with Vinko Globokar at the L’Accademia Chigiana in Siena. From there, she won her first position as principal trombone of the Royal Opera of Turin, Italy. Her next position was for principal trombone of the Munich Philharmonic for 13 years where she was awarded the official honorable title of Kammersolistin der Stadt Muenchen after 10 years of exemplary musical service to the city of Munich, Germany.  

Ms. Conant has been the subject of several featured cover articles in various brass publications: International Trombone Association Journal, British Trombone Journal, The Brass Herald and others. She has been a guest on NPR’s Performance Today as well as on the West German Radio, SW German Radio, Canadian Broadcast Company, New York City’s classical station, WQXR.  

She has played all types and genres of music, including improvisation, in duo with guitar, shakuhachi, or harp, early music, contemporary music and film music. She has had film roles in the feature film, The Devil’s Triangle, directed by Vadim Glowna and in the epic 13 film story of a German composer’s life and times, Die Zweite Heimat, (The Second Homeland) by dir. Edgar Reitz.  

Ms. Conant has students in many different orchestras and teaching positions including, two former students in the Bayreuth Festival Orchestra, the Stuttgart State Opera, the Southwest German Radio Orchestra, The Hamburg Symphony, the Regensburg Symphony, the Los Angeles Philharmonic, to name a few.  

Ms. Conant is also a published poet and librettist having co-written libretti with William Osborne’s music theater works (one-woman shows) Miriam, Street Scene for the Last Mad Soprano, Miriam, Cybeline and Aletheia.    

Her critically acclaimed CD Trombone and Organ is on the Audite label and the DVD, Music for the End of Time, an hour long tone poem for trombone, video and electronics inspired by six visions of the Revelation of St. John the Divine, and composed by William Osborne, is available through Polymnia Press. 

Michael Steiger
Trombonist - United States Air Force Band of the West

Airman First Class Michael Steiger is a trombone apprentice with the United States Air Force Band of the West, Joint Base San Antonio-Lackland, TX.  His duties include performing with the Concert Band, Ceremonial Marching Band, Dimensions in Blue Jazz Ensemble, and Gateway Brass Quintet. In addition to his responsibilities as a trombonist, he also serves as a publicity representative in the Public Affairs division of the band.  Prior to his assignment with the Air Force, Michael worked as a freelance musician performing for musical theatre touring productions and various symphony orchestras, including the San Antonio Symphony, Michigan Opera Theatre, Toldeo Symphony Orchestra, Detroit Symphony Orchestra, and Chicago Symphony Orchestra.  He also teaches private music lessons to students ranging in skill from the novice to collegiate level.

Michael earned a Bachelor of Music degree in trombone performance with teaching certification from the University of Michigan, and Master of Music degree in trombone performance from Northwestern University.  Prior to his musical studies, Michael was born and raised in Central Oregon.  He and his wife are enjoying their life in Texas, exploring the various hikes and outdoor opportunities of the Texas Hill Country.



Steve Peterson
Principal Trombone - San Antonio Symphony

Steve Peterson is an active performer and teacher in the Dallas and San Antonio areas. In addition to performing as principal trombone with the San Antonio Symphony, Steve often performs with the Dallas Symphony and has also performed with the Cincinnati Symphony, Detroit Symphony, and Fort Worth Symphony Orchestras. He has a Bachelor of Music in trombone performance from the University of Michigan where he studied with David Jackson and a Masters of Music from Southern Methodist University where he studied with John Kitzman.


Don Lucas
Professor - Boston University


Don Lucas, a native of Falls Church, Virginia, USA, received his BM and MM from Texas Tech University, and was awarded the Premiere Prix and Advanced Solo Studies Diploma from the Guildhall School of Music in London as a Fulbright Scholar.  Don engaged in additional studies at North Texas State University, Berklee College of Music, University of Houston and Middle Tennessee State University.


Mr. Lucas has performed with the St. Paul Chamber Orchestra, Santa Fe Pro Musica Chamber Orchestra, the Empire Brass Quintet, New Mexico Symphony, Minnesota Symphony Orchestra, San Antonio Symphony, North Carolina Symphony, and the American Wind Symphony, performing under noted conductors Ivan Fischer, Hugh Wolf, Christopher Hogwood, John Adams, and Leonard Slatkin.


Internationally, Mr. Lucas has appeared frequently as a soloist, recitalist, adjudicator, and clinician in engagements in the United Kingdom, Russia, Korea, and China including: Wigmore Hall (London), the British Trombone Society Festival, the Repton Brass Festival, the Royal Northern College of Music and Cheathams School of Music (Manchester), the Royal Academy of Music (London), the Guildhall School of Music (London), Trinity-Laban Conservatory of Music (London), the Royal Welsh Academy of Music (Cardiff), the Royal Scottish Academy of Music (Glasgow), the Tchaikovsky Conservatory (Moscow), the Rimsky-Korsakov Conservatory (St. Petersburg), the Fine Arts Institute (Vladivostok), the JeJu International Music Festival, Korea Trombone Festival, Yonsei University, Seoul & Four South Korean Summer Trombone Festivals, Central Music Conservatory, Beijing, Shenyang Conservatory, Xinghai Conservatory, Guangzhou, and the Hong Kong Academy of the Arts.


Other international engagements include: Two Brazilian Trombone Association National Festivals (Rio de Janeiro, Brasilia), University of Rio International Trombone Festival, the Conservatoire Superieur de Music a Rayonnement (Paris, France), Trombones de Costa Rica International Brass Festival (San Jose), Melos Brass Festival, (Corfu, Greece), nine I.T.A. International Trombone Festivals (Paris/France, Feldkirch/Austria, Aarhus/Denmark & USA) & the International Trombone Symposium (Melbourne, Australia).


In the United States, Mr. Lucas has appeared frequently as a soloist, recitalist, adjudicator, and clinician. Past engagements include: Weill Recital Hall at Carnegie, Terrace Theatre at the Kennedy Center, the Julliard School, the Eastman School of Music, Rice University, the U.S. Army Band and Orchestra “Pershings Own”, the U.S. Naval Academy Band, the West Point U.S. Military Academy Band, the Midwest Band and Orchestra Clinic, the Masterworks Festival the Eastern Trombone Workshop (Washington, D.C.), Harmony Ridge Brass Festival (VT), 76 Trombones+4 Trombone Festival, Las Vegas, College Band Directors National Association Convention, the Texas Music Educators Association Convention, Las Vegas Music Festival, Texas Bandmasters Association Convention, Interlochen Arts Academy, Boston University’s Tanglewood Institute, the New York Conference for Brass Scholarships as well as over a hundred appearances at US festivals, conservatories, universities, schools, and camps.

Principal commissions/world premieres include solos by Fisher Tull, Derek Bourgeouis, Franz Cibulka, Henk Badings, Eddie Bass, Elena Roussanova Lucas, Gary D. Belshaw, Mary Jeanne van Appledorn, and Adam Gorb. His solo recordings include Cantabile and Hymns for Trombone (1988). He has also recorded with the St. Paul Chamber Orchestra and the American Wind Symphony.


Mr. Lucas’s honors include the only Premeir Prix Diploma ever awarded to a brass player in the history of the Guildhall School of Music (London); listing in Marquis, Who’s Who in America Music; Bronze Medal L’unamite, Finalist—Toulon International Solo Competition (France); First Prize Winner—International Trombone Association Frank Smith International Trombone Solo Competition; First Place “Fellow”—Harmony Ridge Brass Festival International Solo Competition; First Place (solo and group competitions)—National Christian Artists Seminar; and First Prize (with The American Classic Trombone Quartet)—Summit Brass International Brass Chamber Group Competition.


Mr. Lucas is the Trombone Professor at Boston University. Previous teaching appointments include Texas Tech University, Eastern New Mexico University, Sam Houston State University, and the public schools of Virginia, Texas, and North Carolina.


Mr. Lucas is an Artist/Clinician for the S.E. Shires Company of Hopedale, Massachusetts.